The legendary Suzi Quatro, at 75, still packs a punch with her iconic scream, a sound that defined an era and continues to thrill audiences. Her recent concert in Glasgow showcased her enduring talent, but also revealed some intriguing choices and potential pitfalls.
The Power of Suzi's Scream
Suzi's confession about losing an inch in height is a lighthearted way to acknowledge the passage of time, but her assertion that her scream remains as powerful as ever is no exaggeration. The 'Suzi Q scream' is a force of nature, a vocalization that captures the raw, unfiltered energy of youth and desire. It's a sound that transcends age and connects with audiences on a primal level.
What makes this particularly fascinating is the contrast between Suzi's youthful scream and her mature, seasoned presence on stage. There's an innocence to her, a quality that belies her years and experience. This duality is especially evident in her cover of Neil Young's 'Rockin' in the Free World,' where she infuses the song with a sincerity that transforms its anger into something galvanizing and uplifting.
A Tale of Two Sets
The concert can be divided into two distinct sets, with the first hour being a well-paced, entertaining showcase of Suzi's talents. However, the second set, while longer, felt like a departure from the energy and focus of the opening. It became a bit of a mishmash, with lesser-known material, tedious solos, and an overly drawn-out introduction of her band members.
One of the low points was Suzi's decision to present a PowerPoint-style career retrospective, complete with pictures. It's a moment that feels more suited to a corporate presentation than a rock concert, and it disrupts the flow and momentum that had been built up. It's a reminder that even legends can make missteps, and that the fine line between nostalgia and self-indulgence is a delicate one.
The Power of Song Selection
Despite these missteps, Suzi's song choices in the latter part of the concert demonstrate her understanding of what makes a great pop moment. Playing 'Can the Can' and 'Devil Gate Drive' back-to-back is a masterstroke, creating an unstoppable wave of energy and nostalgia. These songs, when performed in succession, are a testament to Suzi's ability to craft an unforgettable live experience.
However, the concert overstays its welcome, and the decision to continue performing after the initial finale is a mistake. As people begin to leave during 'Sweet Little Rock & Roller,' it's a clear sign that the show has run its course. The encore, featuring a towel-clad Suzi sitting center stage for a syrupy tribute to Elvis, feels like an unnecessary addition.
Final Thoughts
This concert is a reminder that even the most iconic artists can benefit from a well-edited set list. While Suzi's scream remains a thrilling and defining element of her performances, the overall experience could have been tighter and more focused. It's a fine line to tread between celebrating a career and delivering a cohesive, engaging live show. In my opinion, Suzi Quatro's concert in Glasgow showcased her enduring talent, but also highlighted the importance of careful curation and an awareness of the audience's experience.
